1938-1939 Academic Catalog

DEPARTMENT OF MUSIC" Third Yeu FIRST SEiifESTEit' SECO D SEMESTER" H'ours per week Hours per wee:lt .t Sclenc,J with La.1>. 4 ~lectlve . . . .••.. . .. :. s· A Science wtllt J:.a.b. 4' Logic . . . . . . . . . . . . • . . a. Oratory . . . . . . . . . • . • • 2 Or tary ... . - · ....... - i 4:pJ)recllLtiOTl 2' Instrumentµ tfou 2 Orehestratlono . . . . . . . . 2' Apprecfa;tt:on 2' ;l,pplled fuslc 2 Applied Iifusk % Fourtfr Year FffiST SF.MESTER SECOND SEMESTER Hours per weelt Hour~ pet:' weeli. Apologetics . . . . . . . . . . 3' Ethics- . .. ... . .. . .. .. 3 History I N-ltt. Period, 3 Elective .. .. .. .. .. .. . 6 Electlv:e . . . . • . . . . . . . • 3 Debate- . -.. .. .. • . •.. . 2 Debate . . • • . • . •. . .. . . 2 Counterp,)int . . . . . . • • 2. Oounterpolnt 2 Form and Analysl5" . • . 1 Form a nd .Analysis, . • • ]) Applied Music 2 ~Jpli.ed Music . • . . • • • 2 Courses in applied music include piano~ voice, and pipe organ. For 2 hours credit in applied music, the student takes. two half-hour lessons a week~ and practices two hours a day. A J uni0r and Senior recital must be given in the major :tield, to, the satisfaction of the faculty. Req,uirements for Graduation. With; Music Diploma Harmony -------------·--------6 semester h-0urs Analytical Hannony -----------2 semester hours. History of Music ______________ -4 semester hours Appreciation -----------------2 semester hours Applied Music ____________ ___ __ g. semester houra Orchestratio'll -----------------2 semester hours Interpretation ________________ _2 semester hours. College Rhetoric ______________ 6 semester hours Gen. Psychology _______________ 3 semester hours French or German ------------12 semester hours English Literature _____________ 3 semester hours American Literature ____________ 3 semester hours- Physical Education _____________ 4 semester hours Two satisfactory recitals must be given in order to be an applicant for a diploma in musicr DESCRIPTION OF MUSIC COURSES HARMONY]. First Semester. Intervals. Scales. Triads and their in– versions. Cadences. Dominant Sevenths and their inversions. As each new chord is taken upy it will be put