1988-1989 Academic Catalog

Music Theory Placement Examination All students who enroll in any of the various majors offered by the Music Department, and students pursuing a music minor, should plan to take the Music Theory Placement Examination to complete registration. This test is administered during college week in Fall Quarter. Additional information may be secured by writing the Department of Music. Fees Instrumental rental fee, per quarter: $15 Practice room fee, per quarter: $15 Sophomore Review All music majors must meet the requirements established by the depart– ment for sophomore-level performance proficiency in their primary per– formance area in order to continue in the music program. This review is typically held at the end of the spring quarter of the sophomore year. Oral Exam All majors meet before a committee comprised of music faculty mem– bers during the fall quarter of the senior year. This senior examination requires the individual to exhibit satisfactory knowledge of content within his discipline. Piano Proficiency All music majors and minors are expected to meet the minimum profi– ciency requirements for piano as established by the department. In order for a student to be able to meet the proficiency, it may be necessary to enroll in either class or private piano instruction. Piano proficiency requirements may be obtained by writing to the Department of Music. Senior Recital In addition to performance on general student recitals throughout the college experience, all music majors are required to exhibit a level of performance for graduation which meets the requirements and standards of the department. This is accomplished through a recital presented dur– ing the individual's senior year. Career Opportunities Various career opportunities are open to qualified music graduates, including: minister of music studio teacher school teacher (elementary and secondary; Christian or public schools) college professor music editor retail music salesperson instrument salesperson music supervisor community arts manager music librarian music therapist composer/arranger performer Music 119 Faculty David Matson, Chairman; Professor of Music. Education: B.A., Cedarville College, 1960; graduate study, State College of Iowa, 1962-63; M.A., The Ohio State University, 1968; Ph.D., The Ohio State University, 1978. At Cedarville since 1965. Lyle Anderson, Professor of Music. Education: B.M.E., Cedarville College, 1970; M.A., The Ohio State University, 1971; Ph.D., The Ohio State Univer– sity, 1977. At Cedarville since 1970. Charles Clevenger, Associate Professor ofMusic. Education: B.A., Bob Jones University, 1974; Piano Student oflmogene Darline, Lawrence Morton, Ray– mond Dudley, and Richard Morris; M.M., University of Cincinnati College– Conservatory of Music, 1976; D.M.A., University of Cincinati College-Con– servatory of Music, 1985. At Cedarville since 1982. Michael DiCuirci, Associate Professor of Music. Education: B.M., Univer– sity of Michigan, 1971; Euphonium/Trombone Student of Fred Snyder, Abe Torchinsky, and Glenn Smith; M.M., University of Michigan, 1977. At Cedar– ville since 1979. Charles Ellington, Professor of Music. Education: B.M., Westminister Choir College, 1954; M.M., Westminister Choir College, 1955; Ph.D., Florida State University, 1969; postdoctoral study, Paris, France, 1980; Schuola Lorenzo de Medici, Florence, Italy, 1984; Munich, Germany, Venice and Florence, Italy, London, England, 1987. At Cedarville since 1975. Philip McClure, Assistant Professor of Music. Education: B.M., University of Southern California, 1972; M.M., University of Southern California, 1974. At Cedarville since 1974. Charles Pagnard, Associate Professor of Music. Education: B.M., Bowling Green State University, 1970; trumpet student of Sidney Mear, Richard Jones, Edwin Betts, and Ettore Chiudioni; M.M., Eastman School of Music, 1976; graduate study, University of Cincinnati College-Conservatory of Music, 1984- . At Cedarville since 1977. Adjunct Faculty: Connie Anderson, piano Harold Ashenfelter, saxophone/oboe Theodore Atsalis, bassoon/double reed methods Barbara Beeler, violin/viola/high string methods Sue Beikert, piano class Marianne Chenoweth, flute Richard Chenoweth, french horn Mary Cory, voice Loreen Dimmick, clarinet Shirley Mullins, low string methods Elaine Pagnard, single reed methods Lawrence Pitzer, guitar Phyllis Warner, organ Steven Winteregg, tuba/composer-in-residence