1991-1992 Academic Catalog

Scholarships Scholarships are available to music majors who qualify on the basis of audition, academic record a.1d references. Preference will be given to those who audition before May 15. Additional academic scholar– ships and other types of :financial assistance are available to qualified indi– viduals through the Financial Aid Office. Music Theory Placement Examination All students who enroll in any of the various majors offered by the Music Department, and students pursu– ing a music minor, must take the Music Theory Placement Examination to complete registration. This test is administered during College Week in Fall Quarter. Additional information may be secured by writing the Department ofMusic. Fees Instrumental rental fee, per quarter: $15/20; practice room fee, per quarter: $15 (for each hour oflesson credit) Sophomore Review All music majors must meet the requirements for sophomore-level performance proficiency in their primary performance area in order to continue in the music program. This review is typically held at the end of the spring quarter of the sophomore year. Oral Exam All majors meet before a committee comprised of music fac– ulty members during the fall quarter of the senior year. This senior exami– nation requires the individual to exhibit satisfactory knowledge of content within his discipline. Piano Proficiency All music majors and minors are expected to meet the minimum proficiency requirements for piano as established by the depart– ment Either class or private piano instruction may be necessary to be able to meet the proficiency. Piano proficiency requirements may be obtained by writing to the Department ofMusic. Senior Recital In addition to performance in general student recitals throughout the college experience, all music majors are required to exhibit a level of performance for graduation which meets the requirements and standards of the department This is accomplished through a recital pre– sented during the individual's senior year. Music 145 Faculty Charles Clevenger, Chairman; Associate Professor ofMusic. Education: B.A., Bob Jones University, 1974; Piano Student of Imogene Darline, Lawrence Morton, Raymond Dudley, and Richard Morris; M.M., University of Cincinnati College-Conservatory of Music, 1976; D.M.A.. University of Cincinnati College-Conservatory of Music, 1985. At Cedarville since 1982. Lyle Anderson, Professor of Music. Director, Concert Chorale. Education: B.M.E., Ce– darville College, 1970; MA., The Ohio State University, 1971; Ph.D., The Ohio State Uni– versity, 1977.At Cedarville since 1970. James Colman, Assistant Professor of Music. Education: B.S., Grace College, 1982; M.M.. Michigan State University, 1986; Ph.D., Michigan State University, 1990. At Ce– darville since 1989. Michael DiCnirci, Associate Professor of Music. Director, Symphonic Band, Yellow Jacket pep band. Education: B.M., University of Michigan, 1971; Euphonium{frombone Student of Fred Snyder, Abe Torchinsky, and Glenn Smith; M.M., University of Michigan. 1977. At Cedarville since 1979. Charles Ellington, Professor ofMusic. Director, Oratorio Chorus. Education: B.M., West– minister Choir College, 1954; M.M.. Westminister Choir College, 1955; Ph.D., Florida State University, 1969; postdoctoral study. Paris. France, 1980; Schuola Lorenzo de Medici, Flo– rence, Italy, 1984; Munich, Germany, Venice and Florence, Italy, London. England, 1987. At Cedarville since 1975. David Matson, Professor of Music. Education: B.A., Cedarville College. 1960; graduate study, State College of Iowa. 1962-63; M.A.. The Ohio State University, 1968; PhD., The Ohio State University, 1978. At Cedarville since 1965. Charles Pagnard, Associate Professor ofMusic. Director, Brass Choir; principal trumpet. Dayton Philharmonic. Education: B.M., Bowling Green State University, 1970; trumpet stu– dent of Sidney Mear, Richard Jones. Edwin Betts, and Ettore Chiudioni; M.M., Eastman School of Music, 1976; graduate study. University of Cincinnati College-Conservatory of Music, 1984-. At Cedarville since 1977. Jerry Rodgers, Assistant Professor of Music. Experienced music director. Education: Cleveland Institute ofMusic, Case Western Reserve University, 1965-67; BM., Ohio Univer– sity, 1978; Oarinet Soloist, U.S. Marine Band; co-principal, White House Orchestra, 1967- 88; Principal Clarinet, Akron Symphony Orchestra. 1965-67; Principal Clarinet, Cleveland Symphony Orchestra, 1967. At Cedarville since 1990. Kathryn Rodgers, Assistant Professor of Music. Experienced music director. Education: B.SME., Ohio University, 1964; M.A., Ohio University, 1966. Cello student of Leighton Conkling and Loran Stephenson. At Cedarville since 1990. Adjunct Faculty Connie Anderson, piano TheodoreAtsalis, bassoon/double reed methods Barbara Beeler, violin/viola/ high string methods Sue Beikert, piano Marianne Chenoweth, flute Richard Chenoweth, french horn Mary Cory. voice Loreen Dimmick, clarinet/single reed methods Shirley Mullins, low string methods Lawrence Pitzer, guitar Phyllis Warner, organ/piano