Channels, Fall 2016

Page 160 Parson • Drawing Is Where the Joy Is Kameda-Madar, Kazuko. "Copying and Theory in Edo-Period Japan (1615-1868)." Arth History 37.4 (2014): 708-27. Web. Königsberg, Matthew. "The Modernization of Japanese Literature: A Brief Comparative Perspective. " Studia Universitatis Babes-Bolyai, Philologia 58.1 (2014): 57-66. Web. Macwilliams, Mark Wheeler. Japanese Visual Culture: Explorations in the World of Manga and Anime . Armonk, NY: M.E. Sharpe, 2008. Print. Murakami, Fuminobu. "Murakami Haruki’s Postmodern World." Japan Forum 14.1 (2002): 127-41. Web. Napier, Susan. The Fantastic in Modern Japanese Literature: The Subversion of Modernity . London: Routledge, 1996. Print. Okuyama, Yoshiko. Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime . Lanham, MD: Lexington, 2015. Print. Papp, Zilia. Traditional Monster Imagery in Manga, Anime and Japanese Cinema . Global Oriental, 2011. Print. Reed, Christopher. "Modernizing the Mikado: Japan, Japanism and the Limitations of the Avant-garde." Visual Culture in Britain 14.1 (2013): 68-86. Web. Richie, Donald. A Tractate on Japanese Aesthetics . Berkeley, CA: Stone Bridge, 2007. Print. Ross, Kerry. "‘Little Works of Art’: Photography, Camera Clubs and Democratizing Everyday Life in Early Twentieth-century Japan." Japan Forum 25.4: 425-57. Web. Sampaio, Sewo, Priscilla Yukari, and Emi Ito. "Activities with Higher Influence on Quality of Life in Older Adults in Japan." Occupational Therapy International 20.1 (2013): 1- 10. Web. Shark Skin Man and Peach Hip Girl . Dir. Katsuhito Ishii. Perf. Asano Tadanobu, Kohinata Shie. Kino on Video, 2003. DVD. Spirited Away . By Hayao Miyazaki. Dir. Hayao Miyazaki. Studio Ghibli, 2001. DVD. Swale, Alistair. "Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory in Spirited Away." Asian Studies Review 39.3 (2015): 413-29. Web. The Taste of Tea . Dir. Katsuhito Ishii. 2003. DVD. Thornton, Sybil Anne. The Japanese Period Film: A Critical Analysis . Jefferson, NC: