Vol. 8 No. 1 Grace Mowery • 35 Icne dn ut us rt ryi aal inzda t ieoanr l iyn nt hi nee tl ae teen tehi g hc et enet un rt hy cma uu ns ea dl tmo a ni nhdoi ov di d tuoa le veoml vpehfar soi ms . aI ncdoums -- tarni ad l i1z 8a t3i o0 n, ” aoncdc ut rhri es dI n d“ buesttwr i ea el nR e 1v o7 l8u0- tainodn tphuelilre da g mr aer ni a na wa nady cf rr oa fmt s mt haen hwoomr ke taor gf ua cetsotrhi ea st t(hPies asrhcief ty t3o 2i n9 d- 3u3s 0t r)i.aPl iezaart ci oe ny “ofmo si tset irce di na nd ievci dounaolmi s imc ”p hai lso smo pehny oc fhaatl -- laenndg epdo s oi tni oen sa naontdh ears of owr n be rest t ae nr dwma ga ens- a“ ignet resr cohf at enng et ar be al et e du nt iht se i rt oe mb pe l opyleuegsg eads it nh ti so itnhde ups rt roida ul cstoi oc ni e tpyr, o“ctehses ” m( 3a s3c0u)l. i nI ne ca hl l ayr ahcatredre ni tesde l, f cwo ma sp er teidt ievfei n, eadg garse sms iovre-, ac onmd ms eulnf -ai ln mt e ar enshtoe odd, ”’ s ceomn tprhaas st iins go nwtiht he w( 3e3l 2l -)b. eI innsgt e aodf otfhceo mwbhaot ltei n gf atmh ei l ys o uurnciet oi sfmt h, issopc oi et teyn trieasl lpyodnadme da gwi ni gt hi nl da wi v si d tuhaal t- ri ne si nt rdi cutset dr yw, aonmd et nh e’ s haonmd ecbhei lcdarme ne ’ sa br oa sl e- tailot rnu i s mo f, a“nl do v es,e l f -ms aocrrai fliict ye ,, ” qr ue lai lgiitoi ens, w( 3i3t h0e) .r iPnega racwe ya yb eilni e vi ensd ut hs ti rsi at lr a snosci ti ieot ny ci nr ewa thei dc h“ at hdeo c“ pt rui nb el i co fs spehpear rea ot ef sbpuhs ei nr ee ss s” av na tde ,f di noamn ce es ”t i cwsapsh de irvei, dme da kfirnogmt hteh he opmr ie- “pae tri et ifvueg ew” oargl adi nosut t “sti hd ee ”h (a3r s3h0 )a. nFda tchoemr s- rf oe rl i nr aqiusiisnhge cdhmi l durcehnotfot ht he eriers wp oi vnessi b, ial int dy wh oommee”n (b3e3c3a )m. eT “hmi s o rt raal ng sui at irodni a nl esdo ft ot h ae dr eolue ba sl ei n sgt amnedna rf rdo mw ht ehree r e“ Aq umi reer mi c ae nwt at os bt heavt i irnt ud ou us tsr”i a( 3l i 3z a3t)i.oTnhtur sa, nPsef oa rr cme eydp mo sai tl es as pnhdefreems ,ailnecpl ul adci ensg iinn pt hueb lri ce aalnmd opfrfi aviatthe, ba uy t hgoi vriint yg bwuotml iemn i tmi nogr atlh ea ni rd adgoe mn ceys tiinc the public space. The Cult of True Womanhood At hse tfha eb r ii cn douf st threi aflai zmeidl y ,s tohcei ect uy l tc oh fa nTgr ue de Wf o ro mraenl ahtoi oonds hairptsi c ubl aettewde ean f rma me ne waonr dk wm oo mr ael nd,o au bflrea smt aenwdoarrkd st.hTaht i se sdtias bc ol ius hr seed, pz irnoepsa, g a gt ei fdt t harnonuugahl s “ waonmd e n ’rse l mi g ai oguas- l“iht eorsat at ug ree i, ”n pt hr ee she onmt eed” wa nodmme no raasl l yb os tuh- p( We rei ol tre, rl e1a5d1i n- 1g5t2o) f. oFui rr skt ,e ay iwmopml i ac an t’ si osnus-. pi deerai ol rp amr tonrearl iftoyr—mpei ne t ay n—d ms tarde es s ehde rr eal in- g“ wi oanr na se dp”r iwo roimt yeinn two oamv oeind’ sl iltievreast, uarnedoirt “pilnatceel ltehcet ui rafl o cpuusr souni trse”l i gt hi oant (c1o5u2l ,d1 5d4i s)-. Se me cpohnads, i zTerdu e p Wu roi tmy a na nh od o dd edsicsrciobue dr s eas w“ ‘ foaml l eann a wn gheol , ’ ”hyaedt tl ho seti dheeorl opguyrdi toye sa ns oat T fc e o h m n ir d a d e le , m T s n u r ub m e m a i W l s e s oio s m n e a x t n u o h a ol m o se d i n n , e t m ( h 1 o p 5 u h 4 g a - h 1 si 5 z t 5 h e ) d e.
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