Vol. 8 No. 1 Grace Mowery • 37 fdeomma l e itnot e r vbeen t i oang“g‘ gr ea svsei vmee, n t hg er ef er edey-, ae ms t ebdi t’i”oauns d, c“o‘ lme fpt ewt iot imv ee,nawn di t hs et lhf e- i ndtuetry- oP fe a rccueryb i3n3g7 ) .t hDi es s pbi teeh wa voi mo re’ ”n ’ s( qb teds .t i ni n- tWe no tmi oannsh, ot oh de i’ sr da oc tui ob nl es srteainndf oa rr cde adn Td r aule- lcoowmepde t i tmi oenn, l i vt oi n g cfoonr t ti nh ue me s el il vv iensg, a ni nd living in sin. Separate Spheres in Ishmael Ns eannt c ya Pc eoamr cpeeyl l ianngd cBaasreb af or ar Wt h ee l tiedre pa r oe -f so ef pmaor ra at el i tsyp, ha el trheos uagnhd sao dmoeusbcl he osltaarns d, lai kr de Ct haet ihry c No n. cDl uasviiodns so no, ndsoe pnaorta taeg rsepeh ewr iet sh. Ds pahvei dr es os ,na nr de j es chtes ctl ha iemisd tehae ocfu lst es poaf rda ot e- mi t es es teimc i t”yt ha antd wTor mu ee nW“ocmh oa sneh”otood r“emmaaki ne igna gt eh ei nd“ot mh ee ms t iacl es, pi hn ed ri ve i dr autahl iesrt itch, apnu belni c- sDpahvei dr es oonf caor mg ume se rt hc ea ta tnhdi sp bo il ni tai cr sy” o( f4s4e4p)-. at or taat lei zsi pn hg ”e rveise wp r eosf etnhtes na i “nteotoe erni gt ihd- caennd- trui grhyt l yf erme caol ge n i zeexsp et hr iee nl accek o(f4n4u5a) n. c eS hi ne Pseepaarcraetye aspnhderWese,ltbeurt’s descriptions of Ishmael presents sg ea pt ianrga tbeost ph htehree sp troi vsaht eo wa nI ds htmh ea epl unbalvi ci -. Snoaurythwoof rtshedpoareastne otsupphheorelds a wstirtihct bail-l cMhiadrdalcetteorns,, a nb du tH aMnrnsa. h MWi dodr tl eht oGnr a, yBreee- main, for the most part, in the home, tohr of ua tghhe rj o(i2n7e 1d , o2 f7t 8e n, 3b4y5 , t4h3e 4i r- 4h3u5s,b4a7n4d)s. Eb av lel ns Calna du d iaat, t ewnhdos t ho rt ho we rss e (x4t r7a1v-a4g7a3n)t, smpeesntdi cs smpuacche . oIfnh et hr itsi mt eex wt , iSt hoiunt ht hweodr toh- ds toaeys onro tt oa rlge ua ve ef otrh ew op mr i veant et os cphaoc oe .s eS ht oe wp rri ivt ae tse wsi pt haicne st h ien c oonr dt eexrt ot of psuhbolwi c ahnedr isdheea ld empai cnt si nst ee pr aa cr taitneg swp hi tehr ebso ttho . aTrhguuse, tthhaety nmaevnigashteobuoldthascptawceitsh. integrity as Southworth’s Moral Response to Societal Double Standards in Women’s Fiction Tc ioe tcyo’ smdboa ut bTlreu es t Wa nodma radnsh of oord ’ ms aennd asnod- wS ooumt hewn ,osrot hm, ei mwaogmi neendwar if ti ce triso, ni na cl l wu do irnl dg tmh aa lte dains dp l af eyme da l et hreeilra t ei oxnpsehcitpast i oi nn ss ofcoir- et ht ye . sI na ma ne es roac iwa lhaenr ed wl eogma l erni gdhi tds naost mh oe lnd, wp oowmeernt hwrroi ut egrhs twh ee ri re wc rrei tai tni ng g( 1a 6s0p-a1c6e 1o) f. Tt eonm p“ ok fi nf es[ ra] r gau e sc rtiht iaqtu teh eos fe nAomv ee lrsi coa fn- seor sc i eutsye” d( 1t2h4e)i ,r a nwdr ist ionmg e toof t“hmeos ve ew trhi te- nG aotdi o” n( 1a4s9 a) . wF ohro lme acnl oy soe fr tthoe st he ewcriittye rosf, manodraslowciraitlincghabnegcea.mIena route to agency Ishmael, Southwa no irdt he apl rme saennwt shao ms ho er ahl ot pa lees ahsesrhree ca rdaef rt ss
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