Vol. 8 No. 1 Madeline D. Spaulding • 7 f u u s t i u n r g e . t h A e m ir a s z o ig c h ia l y n o e u t t w hs o rk h s a v t e o r b e e v g i u v n e Ae tmaal z. , i g2h0 1c 7u l t&u rMe naonude rl a, n2g0u2a1g)e. (DCeasmp iut es tlahneguinacgree/acsuinltgurreole of the Internet in preservation p“ trhaec tsipc eo sk, eCna ml a nu gs ueat gael . r( e2m0 1a 7i n) swt rhiet emt ho as tt cMoannsyp i c usoc uh so l ai dr se n t iitnyt emr easrtkeedr ” (i np . 3t6h)e. Iomf aczui gl thuerna la r ei nnf oorwmaabt iloe nt o of inn d Aa mwaezailgt hh wA me basziitgehs ,we sepbes ci tieasl l ayrbeewc ar ui tst ee nmi on sEt nogf ltihs he oc or m pFlri ec antciho.n s D eosf p i tteh e s opma set osfe v etrhael dt heacta, di ens ,t hi te rfeamc ea ionfs caonn qi mu eprri ne sgs invaet ifoenast and dominant world languages, TS aadmi qa iz (i g2h0t0 7h)aws r ictoe ns ttihnautetdh e tsou r pv ei vras li sotf. Td ea vmeal oz pi gmh te ni st “ aonf e lxacnegput iaogne st 'o' t h( pe . u s2u7a) l. A( 2l o0n0g7 ) iwn si itsht s tohtahteTr a ms cahz ioglha tr’ss, s uSravdi vi qa il iwsoomweend. first and foremost to Amazigh Amazigh Women Wm ahri gl ei noaf lt iezna trieofne r r eadn dt o a ds itshcer ivmi ci nt iamt iso onf, mA mu cahz i gohf c uwr or emnet nl i t ehraavt eu r ep laagyreede,s tahnadt cpor enst ienruvei n gt o Bpel aryb,e ra sciug nl tiuf ircea n ta nrdo l et hi ne A2 0m1a7z; i gGha lgal ni agrudai ,g e2 0i t2s 0e l; f H( Boef fl ma hasne,n 2e0t 0a6l . ;, L( 2a0g 0h 7s s) awi s r, i t2e0s2t1h, a St at dh ieq if ,a t2e0 o0f7 A) . mSaazdi igqhi hwaosmbeene. nT chlroosue gl yh ot iuetd t ht oe thhi se t of ar tye oof f t iht es Amazigh people, Amazigh women have ba ne edn pqoul ietei cni sa,n lse a(dAei rs ss ,i , s a2i0n1t s9, ) .w Ianr r ifoa rcst ,, Amma tarzi ai gr hc hf aa lm, i lwi ei st hw etrhee o nhceer ictoa ng es i d lei nr eeds mA ma rakzei gdh t wh roomu ge hn ht haev e whoamd e np.o wWe hr fi ul el pr eocsei tni tol ny st h eaymhoanvge b teheeni rm atrrgi bi neasl, i z eudn at isl M lin o g r u o i c s c t a ic n citizens largely because of barriers (Aissi, 2019). Au nmwa izl il gi nhg lwy ,o mh aevne, owchceutphieerd wt hi lel i nr gollye oorf cbue li tnugr aml opnroelsi ne rgvuearl s, i ll lai rt eg real yt e ,baenc ad ul si ve i nogf ipnr e s er ruvrea lc u lat ur er ea st.h r oAumg ha zai gmhu l t iwt uodme eonf wr aai syisn, g icnhci ll ud dr ei nng, s i mn gai kn ign sgo nagrst ,, c aproreyti rnyg, ot hni s t rsatduidt iyo—n ss, p ae na kdi—n gm oTsatmnaoz ti ga hb tl y afnodr preserving oral literature. Amazigh Women, Oral Literature, and the Internet Od ar na lc el si t, e sr taot ur irees , i np cr louvdeersb sm, au ns idc , r si do dn lgess, (pSaardtiicqui,la2r0ly07). Music and song are two significant forms of Awmr i at ezsi g ht hoart a lt hl iet e r“ as ot uurl e .oSf a Ad imq ia z(i2g0h0 7i s) iannddi s ps uo nt agb l y( pe. 2x 9p)r.e sSsaeddi”q ti h r( o2 u0 g0h7 )m aulssioc wr erailtme ss t hoaft otrhael t rwa doint idorno u“ dsr aiwn s ownhtihc he wr ool ems e, np reos vc ai npge ftrhoamt wt hoemi r e nt r a dh iatvi oe n aal kp nr eorwo lgeadt gi vee wohf i cmh e ni s” n( po .t 2a7l w) . a yYsa c ti nh ee (h2a0s 0g1i)v el ink eAwmi saezai gs hs e rwt so mt heant oarna l epsoceatpr ye from traditional roles. She credits poetic
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