A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone - Chester Jenkins

124 BRYANT: So it had that quality to it. And there’s something about the chromatic motion of the progression also like it could relate intuitively. They felt like they belonged together. And if I feel that, I don’t question it, I don’t analyze that. I just go. JENKINS: Yeah BRYANT: And it gave me some extra structure. More than just the Creston motive too. A little bit of extra material. JENKINS: Cool Well, Thank you again for your time. I really appreciate it. And thank you again for your music. I’ve enjoyed conducting it, and playing through this. It’s been a pleasure to kind of dig into this and find a lot of cool stuff. And thanks again for your time. I certainly appreciate it. Thank you, have a great rest of your day. BRYANT: Thanks, you too. End of Interview: