A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone - Chester Jenkins

24 Figure 10. Concerto for Alto Saxophone 1 st movement, measures 105-109. Multiple uses of Creston motive as bass line in bassoons as well as melodic material in alto flute and flute 2. At measure 116, Bryant stacks the Creston motive through staggered entrances in the brass section. All entrances are doubled in the euphonium part. The resulting chord is built on the full five pitches of Bryant’s Creston motive, D-C-A-Bb-Db