A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone - Chester Jenkins

68 79-87, 132-136, 143-154 and 183-187. Lulloff specifically pointed out that Bryant was very specific about the rhythm in the passage at 143, which has to line up with the percussion through this section exactly. 56 Figure 46. Concerto for Alto Saxophone 1 st movement, measures 143-146. The trills beginning in measure 162 in the first movement should morph from one to the next. Care should be taken to ensure the trill starts right on the beat, but the technique of transitioning from one trill to the next should be so smooth it should be nearly indecipherable about where the one ended and the next began. 57 56 Howard Gourwitz and Joe Lulloff, interview by author, Cincinnati, OH, March 11, 2018. 57 Ibid.