A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone - Chester Jenkins

iv Acknowledgments This document is the obvious culmination of many years of practice and hard work, and I am in the debt of many mentors who have inspired me and spurred me on. Those who have taught me first and foremost how to play the saxophone through the years have played a significant role in my life and growth as a musician and as a person. Thanks to Tim Volstad who got me started, Jerry Rodgers who fixed my many issues, Harold Ashenfelter who set me free, Matt James who helped me better understand style, James Hill who taught me history, and Michael Torres who taught me to think ever longer. I also owe a debt to my conducting teachers. First and foremost, the man who gave me stand time and an opportunity, Michael DiCuirci. Though you are a Michigan man, this Ohio State student owes you an incredible debt. To John Climer, who graciously gave me some stand time with the Persichetti Symphony, and sealed my desire to be a conductor right then and there. To Scott Jones for his valuable help and assistance in preparing me to do the nitty gritty work of this job. To Russ Mikkelson, who graciously accepted me into his studio, though busy with a full schedule. I owe you a great debt for taking me in, and helping me become a far better conductor than the day I entered.