Musical Offerings, Fall 2017

50 Sulka ⦁ Shakespeare’s Philosophy of Music Scholes, Percy. “The Purpose behind Shakespeare’s Use of Music.” Proceedings of the Musical Association 43 (1916–1917): 1–15. do i: 10.1093/jrma/43.1.1 . Shakespeare, William. The Merchant of Venice. Edited by Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster, 2011. ———. The Tempest. Edited by Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster, 2009. ———. The Tragedy of Hamlet, Prince of Denmark . Edited by Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster, 2009. ———. The Tragedy of Romeo and Juliet . Edited by Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster, 2009. ———. Pericles, Prince of Tyre. Edited by Stephen Orgel. New York: Penguin Books, 2001. Witmore, Michael. “Shakespeare’s Inner Music.” Upstart Crow: A Shakespeare Journal 29 (2010–2011): 72–80 . Academic Search Complete, EBSCOhost 59756072 .