Musical Offerings, Spring 2026

Musical Offerings ⦁ 2026 ⦁ Volume 17 ⦁ Number 1 17 https://digitalcollections.nypl.org/items/464d4850-d97b-013c98c1-0242ac110003. Lyon, James. Urania: A Choice Collection of Psalm-Tunes, Anthems, and Hymns. Da Capo Press, 1974. MacDougall, Hamilton C. Early New England Psalmody: An Historical Appreciation, 1620–1820. Stephen Daye Press, 1940. Marini, Stephen A. The Cashaway Psalmody: Transatlantic Religion and Music in Colonial Carolina. University of Illinois Press, 2020. Pilsbury, Amos. The United States Sacred Harmony. Isaiah Thomas and Ebenezer T. Andrews, 1799. https://imslp.org/wiki/The_United_States_Sacred_Harmony_(P ilsbury,_Amos). Ravenscroft, Thomas, comp. The Whole Booke of Psalmes. The Company of Stationers, 1621. Edited by Christian Mondrup and Martin Quartier, 2011. https://imslp.org/wiki/The_Whole_Booke_of_Psalmes_(Raven scroft,_Thomas). Steel, David Warren, and Richard H. Hulan. The Makers of the Sacred Harp. University of Illinois Press, 2010. Tallis, Thomas. “Purge Me, O Lord, From All My Sin.” Edited by James Gibb and reformatted by Antonio J. Higgins, 2024. https://www.cpdl.org/wiki/index.php/Purge_me,_O_Lord,_fro m_all_my_sin_(Thomas_Tallis). Tattersall, William. Improved Psalmody. T. Skillern, 1794. https://imslp.org/wiki/Improved_Psalmody_(Tattersall,_Willia m_de_Chair). Temperley, Nicholas. “The Origins of the Fuging Tune.” Royal Musical Association Research Chronicle 17, no. 1 (1981): 1– 32. http://www.jstor.org/stable/25099364. Turner, Eldon R. “Earwitnesses to Resonance in Space: An Interpretation of Puritan Psalmody in Early 18th-Century New England.” American Studies 25, no. 1 (1984): 25–47. https://www.jstor.org/stable/40641829. Tye, Christopher. “My Trust, O Lord, In Thee Is Grounded.” Edited by Jason Smart, 2021. https://www.cpdl.org/wiki/index.php/My_trust_O_Lord_in_the e_is_grounded_(Christopher_Tye).

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