38 • “A Guiding Star to the Youth of Every Land” Channels 2023 wt hial lt es hmeu lbaet lei .e vHeesr hperre fraecaed eerms pc ha na s irzi se es fhraormd wt hoerikr , smi gi snearl yi n gt htrhoaut g shh ef aiist hl i kaenl dy dmroarwa il ni sgt i co nt a lhee(rD roeblsi goino uxsv ; fSaoi tuht hi wn ot rhtihs 7h e) .r Lr ae at edre ri ns t tohfeo lbl oowo kI,s hs hmea ea ld’ smeoxna ims hpel es ar onadd ’r et omfianmd se tahnedmh o“ nt hoerr” eb ui st envoe r‘ ryooynael m( 4u5s3t) .sItnr i voet hde ri l ipgleanctelsy, st oherceraicthi q uae sg ofea-l mM ea rl el i nb’ es hoabvsieosrs iavf et epr udr es us ci tr oi bf i wn ge aCl tl ahuadni da thi et lre d( 5i s2l i4k)e. Ff ionra lal yl c, oShooul t hi nwt oo r tt hh ew se taovreys, ww roimt i ne ng iant t ecmo np vt ienrgs a ttioo n e nwaict ht soot chiearl c3h3a6n) g. Seo ruet ghawrodri nt hg caallcl so ht hoel i rs ums t (i cPseaatr ct he ye Bo fr u do el dn e lrl ypea r twy h“ ai sl lktyh e twh aotr s ehfaodr a bceaes nk bb reona, c“h‘ Ie dt h” i n( 2k3t)h, aatn da Hmaannn at hha tt eel lvseRnesuo- mn euvcehr assa fteo uuc nh teisl shpei r iitsa bi nl e h[ l iisq ugorrasv] ei’ s” (a 4s i5d6e)s. Tt ho e st eh ee l er me aednetrs oe fmt ph he asstioz rey tahnadt St hoeu tmh wo roarl ti thy i so cf rhaef tri nr ge aadtearl se bt oy i me npcroouvre- apgr ai ni sgetsh ae nmd t ot omt uo rdne l f trhoemc ht haer avcitceerss ss hh ee denounces. Critical Analysis of Ishmael Kenneth Salzer’s Biographical Analysis NR ei ne ad Bh aa vy emd, eJ adni cea tTeodmbpo ko iknss t, oa dn ed f eAns dh il ne yg ae nr sd, ainnac ll yuzdiinngg ASmoeurtihcwa no rwt ho, mbeunt wfreiwt - cvroirtiitces hwaovrek,analyzed Southworth’s fa- Ishmael. Kenneth Salzer awnhdo Ehl ai zvaebsettuhdSi et odctkht iosnwaor rekt wa nods wc hroi tl taerns mI nohries tchhaanp tae rf e, w“ C al ilnl eHseirnI srhe mf e raeenl :cEe. tDo. iEt .. N‘E.xSpoeuritmhwenotr’tohf, Robert Bonner, and the Self-Made,” Salzer traces awnr ii tmi npgo—r t ha en rt i ne fdl iut eo nr c eR oo bn eSrot u Bt hown on retrh—’ s aa nd dv o cc laaci my sf oBr oSnonuetrh’ sw co hr tahr aicnt sepr i raendd hhei sr pI sohrmt raaeyla ldoe fa lIts hwmi tahe l .p Bo voet hr t yB obnunte ro vaenrd- cf ua lmbeu st hi naet ssstmr uegng wl e ht oo l“ebnetc tohme ier ssuucpcpeos sr t- ts oe nwt eodmSeonu” t (hSwa lozret rh ,2a1 6d)e. sBe or tnende wr roemp ar en-, bf ryo mo f f e“ rhienrg shter ra i an ej od b raenl adt i roensschui ipn gwhi et hr H( 2e2n2r)y, a Pn eddbeyr sf aoint h, ”f uhl leyrd ef of ernmdei nr g ehdeirt oi nr copyright battles over Self-Made (232- 2p 3a s4s) .“ aHDe i sat lrsi oc t op fe tCi ot ilounme bd i aCdoinvgorrecses b ti lol eS no ut itthl ewdo‘rAt hB’ ”i l l (fxoirx )t. h eI nR ehl iiesf oafnEaml y smi sa, Sr aa pl zheyr, sf opceuc si fei cs a lol yn sSuorur tohuwn do ri nt hg ’ sR obbi oe gr t- Bonner’s advocacy, and argues that
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