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Musical Offerings

2016

Volume 7

Number 2

81

Leedy, Douglas, ed.

Chansons from Petrucci: in Original Notation and

in Transcription

. Berkeley: Musica Sacra et Profana, 1983.

Manchicourt, Pierre de.

Opera Omnia

. Vol. 1,

Attaingnant Motets

.

Edited by John D. Wicks. N.p.: American Institute of

Musicology, 1971.

Mouser, Marilee J. “Petrucci and His Shadow: A Case Study of

Reception History.”

Fontes Artis Musicae

51, no. 1 (2004): 19–

52

. http://www.jstor.org/stable/23510434 .

Perkins, Leeman L.

Music in the Age of the Renaissance

. New York:

W.W. Norton, 1999.

Petrucci, Ottaviano.

Harmonice musices odhecaton A

. New York:

Broude Brothers Limited, 1973.

Rose, Stephen. “Music, Print and Presentation in Saxony During the

Seventeenth Century.”

German History

23, no. 1 (2005): 1–19.

doi

: 10.1191/0266355405gh333oa .

Scott, Peter J. D. “Ottaviano Petrucci, Paragon of Printing Perfection?:

Observations on His 1506

Lamentationum Jeremie Prophete

Liber Primus

and

Liber Secundus

.”

Fontes Artis Musicae

51,

no. 1 (2004): 74–92

. http://www.jstor.org/stable/23510436 .

Toledo Museum of Art.

The Printed Note: 500 Years of Music Printing

and Engraving

. Toledo: The Museum, 1957.